A quick summary of this course
This one year programme, whilst demanding technical excellence and control, will primarily be concerned with the ‘Image’. Its inherent communicative, persuasive and manipulative qualities, the context in which it is used and the social, historical and contemporary issues that emerge as a consequence. It will foreground the understanding and use of the ‘Image’ as a means of, and a tool for, communication and personal comment.
The emphasis and delivery of the course programme will seek to examine and promote the notion of the ‘image maker’ rather than the ‘image taker’.
The course programme provides the context for a more sustained and personal approach to theoretical photographic practice and practical development, enabling the development of an advanced understanding of the medium and an ability to undertake critical and informed analysis, and subsequent application.
It is anticipated at this level, you will be self-motivated and, to an increasing extent, working independently. However, the course prides itself on the availability of a range of tutors to guide students via tutorials, formative critiques and practical inductions. HCA offers excellent facilities and access to equipment.
Image by Charlotte Parker
Exhibition practice, working on projects set by clients and portfolio reviews by experienced industry professionals all add to developing confidence in your own career route and potential.
Being located in our new campus with other creative courses means it is easy to cross boundaries, work with students in other disciplines and undertake collaborative projects.
Image by Greg Dunbavand
- The course is delivered by a team of experienced and dedicated lecturers and technicians, who practice in various fields and bring their external knowledge to the learning environment.
- You will be allocated a student mentor to help you settle into the course. The course does not have a ‘house style’ but encourages all students to find their own unique voice. With year groups of around 20 students you are able to access tutors and excellent facilities with ease.
- Renowned Photographers and successful ex-graduates visit and talk about their work. Recent speakers include Brian Griffin, Tom Hunter, Tom Wood, Timothy Allen, Helen Sear, Chloe Dewe Mathews, Zed Nelson and many more.
- Individual tutorial support is key to the delivery of the course philosophy alongside technical workshops, seminars, lectures and critiques that provide the space for essential contextual debate.
These studies are entirely focused around the students’ course area, providing a solid grounding in subject history and in critical ways of thinking about creative practice. The Critical Studies programme enables students to set their own work in a wider context, and also helps them develop a better understanding of how creative work can be interpreted and assessed. Click here for more details.