In her design research, Neve discovered that a Paulownia (Empress/Princess tree), recently saved within the museum’s walled garden, had connections to a myth about Phoenixes. Drawing inspiration from the garden as a symbol of the circle of life, she also found parallels with the Greek myth of Arachne. This myth portrays a girl so talented at her craft that she was transformed into the first spider so she could forever weave and create. Neve wanted to also echo the language of Alan Evans’ famous gate for the Treasury in the Crypt of St Paul's Cathedral, London.
Neve’s design encapsulates these themes, reflecting the endless cycle of creativity and the profound impact that skilled makers can have on the world around them. Her work celebrates the history and mythology connected to the garden and serves as a lasting tribute to the inspiration and legacy of Alan Evans.
When interviewed about the project Neve commented that "I am incredibly honoured to have been awarded this opportunity to work alongside my lecturer, Adam Greenwell. This opportunity allows me to bring my designs to life in a meaningful way, and I am thrilled to create a permanent piece of artwork for Stroud Museum. I was inspired by the life of Alan Evans and the concept of what comes next, as well as how his journey in the craft inspired and motivated others." Neve Taylor-Bridges
Adam Greenwell AWCB LWCB who Neve selected to be her mentor for the project was her blacksmith tutor on the BA (Hons) Artist Blacksmithing course at HCA. Adam stated "I'm delighted to be working alongside Neve with this project. Being inspired by Alan Evans's work in my early career, I feel privileged to be working in Alan Evans and Andy Basnett's memory along with Neve. Inspiring the next generation of contemporary blacksmiths and the notion of 'what next' has always interested me as artist blacksmithing develops in time".